Together with remixes by Sbassship and Reeno, the cover illustrations are by Bill Wray (known for his work on the 1990s cult TV cartoon The Ren & Stimpy Show). ![]() The definitive versions of the songs "Destination Earth" and "Why" taken from this CD were also released on 12-inch vinyl on the German record label Dominance Electricity. The majority of the songs on this release were restored and remastered from the original master tapes. This collection superseded the Rhino/Atlantic Records compilation Jam on This! The Best of Newcleus. In 2005, Cozmo D released an album, Destination Earth: The Definitive Newcleus Recordings, a collection of hip-hop tracks from the group's entire catalog. Some of these featured classic Newcleus tracks touted as live versions (but simply added crowd noise atop the original tracks). The group released several albums during the following years, but these were the creations of producers putting out material under the Newcleus name. Jam on Revenge is now regarded as a classic, not only because of the well-known singles, but also because of album cuts such as "Destination Earth." Neither Newcleus album, Jam on Revenge or Space Is the Place, sold well. ![]() The Cenacs and the Craftons continued to record until 1989. "Computer Age (Push the Button)" reached the R&B Top 40. The follow-up, "Jam on It," did well on the Billboard Hot 100, reaching No. The group eventually signed with Sunnyview Records, which was later acquired by Rhino Records in the 1990s. Retitled as "Jam On Revenge (The Wikki-Wikki Song)", the track reached the Top 40 on the US R&B chart. The track impressed record producer Joe Webb, and it became the group's first single in 1983 on Mayhew Records. Newcleus recorded "Jam-On Revenge," a block-party favorite featuring vocals that were sped up. The coming together of families inspired the name change to Newcleus. By 1979, the primary group's members were Cenac, Yvette "Lady E" Cook (who would later marry Cozmo D), Monique Angevin, and Bob "Chilly B" Crafton (who would later marry Angevin). The group's popularity grew as it played block parties in Brooklyn. Ī precursor to the group, known as Jam-On Productions, was formed in 1977 in Brooklyn, New York City, and included teenagers Ben "Cozmo D" Cenac and his cousins Monique and Pierre "Pete" Angevin. The beat from their 1984-song "Automan" was adapted by euro-dance project " Snap!" for their 1992-release " Rhythm is a Dancer" which featured lyrics written and performed by American singer and songwriter Thea Austin as well as rap vocals by American rapper Turbo B and became a major international hit. Their appearance overlapped with the formative years of hip-hop DJing in the Bronx. The group was based in the Bedford-Stuyvesant neighborhood of Brooklyn, New York. Turned out it ended up being the track that drove everybody crazy! So, we went with it and changed our names to Newcleus." I used to play "Jam-On's Revenge" at our parties and it would fill the dance floor, so even though I had never planned to release it, when I was shopping Positive Messenger for a deal I put it on the tape just to fill out space at the end. I threw in an idea from an that actually had happened in the ’70s, when a DJ who we had just blown out in a battle said to me "Yeah, you guys are bad, but you can't do this… wikki wikki wikki wikki," meaning how we didn't scratch on the turntables. Having come out of Hip-Hop street battles in Brooklyn in the ’70s, I didn't really think much of the Rap records that were playing on the radio, so I figured as a joke I would make a parody jam. So, one of our DJs, Salvador Smooth, kept nagging me to do a Rap song. However, we were still doing lots of Hip-Hop jams with our DJ crew Jam-On Productions. ![]() ![]() The group is primarily known for its 12-inch single "Jam-On's Revenge" (re-released as "Jam on Revenge (The Wikki-Wikki Song)" (1983)) and "Jam on It" (1984), which began as an anti-rap joke, according to founding member DJ and producer Ben Cenac.Īt the time (1981) we were going by the name Positive Messenger and were making music that had a purpose, either messages of love or faith or talking about the conditions of the world. Newcleus was an American electro and old school hip hop group that gained popularity in the early 1980s.
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![]() I hate having to think/worry about this, but there are rarely any simply answers for anything we do anymore. If I apply what little common sense I have and apply the old "why remarkably underbuilt things I have seen in construction last a long time", I think it will be OK. as per my drawing and take it from there. Can it happen? Anything can happen in theory. I cannot imagine a 9x12 deck pulling out a masonry foundation of a house. Are the CMU cells solid grouted? I doubt it, but the course of block I'm tying into might be solid block for all I know. I wouldn't even know how to grout an existing block if I had to.Īccess to the interior is not possible, so through bolting is not an option. It specifically mentions drilling through hollow block and makes no mention of grouting. Here is Hilti's instructions for this anchor. Base materials: Concrete (uncracked), Masonry (grout-filled CMU), Masonry (hollow), Masonry (hollow CMU). If I can't trust Hilti, who can I trust? You know what I mean. Economical nail-in anchor with carbon steel nail. They show the anchor in their install diagram being mounted to a vertical wall. At what point can a person assume that the manufacturer is correct with this stuff? What I mean is, Hilti says it is for use in hollow block walls. Carefully choosing the correct sleeve anchor and following the directions in this article will help ensure that a sleeve anchor is installed properly and safely.All valid points. Before using sleeve anchors in any application, it is important to determine the correct diameter and length of anchor that should be used. The Hilti HLC sleeve anchor is a versatile concrete fastener that can be used in a variety of base materials and applications. Make sure that the sleeve anchor is not over-torqued since this will reduce shear and pullout values. Set the anchor by tightening the anchor to the torque values recommended by Hilti, Inc. The anchor can be used in concrete, block, brick or stone. Drive nails are available in stainless steel or carbon. Insert the HLC sleeve anchor through the fixture and into the base material by tapping lightly with a hammer until the nut & washer is flush with the fixture.Ĥ. The Zamac Nailin is a nail drive anchor which has a body formed from Zamac alloy. Clean the hole of all debris using a wire brush, vacuum or compressed air.ģ. Doing so may decrease the chances of a blowout.Ģ. For hollow masonry applications, switch the hammer drill to the drill only mode before penetrating the back side of masonry. Drill the correct diameter hole in the base material using a hammer drill. Outlined below are step by step instructions on how to install a Hilti HLC sleeve anchor into base material:ġ. Each diameter requires the hole in the base material is drilled a minimum distance. also have sleeve anchors in 5/8" and 3/4" diameters. The Hilti HLC sleeve anchor is only available in diameters ranging from 1/4" to 1/2" while companies such as Concrete Fastening Systems, Inc. ![]() The thread size that is inside of the sleeve is smaller: a 3/8" anchor has a 5/16" diameter threaded bolt. A sleeve anchor's diameter is designated as the outside diameter of the sleeve anchor. The length of an HLC sleeve anchor is measured from under the head to the end of the anchor. The specialty heads that are available in the 1/4" and 3/8" are designed for specific applications such as fastening down thresholds to concrete or attaching a metal doorframe to a block wall. The 3/8" sleeve anchor also comes with a flat Phillips head. The 5/16", 3/8", and 1/2" HLC sleeve anchor all come with a hex nut. The 1/4" HLC sleeve anchors come with an acorn nut, flat slotted or round slotted head. ![]() Sleeve anchors are one of the most versatile concrete anchors because it can be used in a variety of base materials and is available in four different head styles for specific types of applications. The HLC sleeve anchor is the brand name for the sleeve anchor that is manufactured by Hilti, Incorporated. Sleeve anchors are designed for fastening items to concrete, brick or block base material. However, all of Dying Light's missions are fetch-quest oriented, and they'll send you to the far corners of the large and hard to traverse map constantly. I normally don't mind that in open world experiences as I'm the type of player who likes to walk about and experience the environment from moment-to-moment. There's no fast-travel in this game, as you mentioned. It comes much later in the game than I personally think it should (it comes around rank 12), but that's largely because I was tired of traversing the huge world by the time I got it. Standing and fighting is very rarely the answer. Fighting the shambling hordes can get frustrating and quickly overwhelming, and more often than not, it's better to just keep moving. I had some issues with the combat – which we'll get to in a bit – but in a weird way, I think that actually added to that rush you mentioned. Once they did, I enjoyed trying to pick out a line across the tops of some buildings or a string of cars and trying to keep as close to that line as possible. I spent a lot of time hopping up and down in front of walls at the beginning before things finally clicked. Free-running in first person is disorienting to start with even more so than in something like Mirror's Edge. If it wasn't fun to get around, it wouldn't matter if anything else worked.Īdmittedly, it took me a bit to get the hang of it. The world of Dying Light is a big place and it's entirely free of any kind of fast-travel. The parkour does work, and it's absolutely crucial. ![]() It isn't scary by any means, but the parkour here keeps things elevated in suspense when they otherwise would have dropped. And the animations and method of reaching for ledges and pulling yourself up takes situations of escape and makes them more tense. You're encouraged to constantly move, run and climb in this game. I don't mean "rush" as in quickening the story, I mean "rush" as in exhilaration. The other thing is that the parkour works to add an extra layer of rush to the game. ![]() It's fun to take a break and look around at times, and Techland deserves some applause for that. The particle effects, the city itself, the lighting and the general art design all work very well together to create this wonderful illusion. This game has its problems, which we'll touch on in a bit, but, for me, there were two major points that made it enjoyable while I played.įirst, and the most obvious, is that this certainly is a pretty game. ![]() I think Dying Light succeeds on a lot of fronts. Please check the Azure Sphere OS on your device is up-to-date using 'azsphere device show-deployment-status'. The azsphere device enable-development or azsphere device capability update command returns an error similar to the following:Įrror: The device did not accept the device capability configuration. The following errors are symptoms of this problem: This problem can occur if the device has been offline for an extended period, during which Microsoft updated its internal keys. If you receive errors when you try to apply a device capability to an Azure Sphere device, the problem might be that the OS on your device is out of date. Run the azsphere device rescan-attached command to power-cycle the FTDI ports of all attached devices. Driver problems can cause PC-to-device connections to disappear intermittently, or can prevent the azsphere command from finding all attached devices. If the subnet is not the problem, you may have a problem related to the FTDI driver used on Windows. Currently, you cannot change the range of IP addresses that Azure Sphere uses. If you have other software that uses the same subnet, either disable that software or limit the range of IP addresses that it uses. If your computer can connect to the Azure Sphere device, but often drops the connection, you may have a conflict in the IP subnet.Īzure Sphere uses subnet 192.168.35.*. In some cases, USB ports do not provide adequate power for the board, so a powered hub may solve the problem. If the problem recurs, plug the device into a powered USB hub. If the error occurred when the device was plugged into a USB hub, plug it into a port on the machine instead. Plug the device into a different USB port. Check that the header has not been dislodged or removed. For example, Seeed MT3620 Development Kits are shipped from the factory with a jumper header across pins 2 and 3 of J3, which powers the clock from the main power supply. In addition, make sure that the board itself is properly configured. If you're using a different dev kit, see the manufacturer's documentation. If your dev kit is compatible with the MT3620 reference development board (RDB), see the MT3620 development board user guide for details. Make sure that the real-time clock (RTC) is powered, by either the main 3V3 power supply or a coin cell battery. If the device appears "dead" or unresponsive, the problem could be a lack of power. Or Linux-specific problems to determine whether the problem might be unique to your platform. If none of these steps solves the problem, see Windows-specific problems This command power-cycles the FTDI ports of all attached devices and can sometimes help in connection problems. On Windows, run the azsphere device rescan-attached command. Wait ten seconds or so for the device to restart, and then try the failed command again. If the device is connected, press the Reset button on the device or disconnect and reconnect the USB cable. If OS update is progress, the device should again become responsive when the update completes. To diagnose and resolve the problem, start with these basic steps:Įnsure that the device is connected by USB to the host machine. During OS updates, the device may fail to respond. The device is currently busy applying an Azure Sphere OS update. The board is not connected by USB to the host machine. Failed to establish communication with device after recovery.įailure to connect may occur for any of these reasons:.Failed to retrieve device ID from attached device: 'Could not connect to the device please ensure it is attached.'. ![]() Please try again if the issue persists, please refer to aka.ms/azurespheresupport for troubleshooting suggestions and support. If this issue persists, try uninstalling and reinstalling the Azure Sphere SDK. The device may be unresponsive if it is applying an Azure Sphere operating system update wait a few minutes and then retry. Check if your device is connected to the PC. Please check your device is connected and your PC has been configured correctly, then retry. The following error messages may indicate a failed connection: This topic provides troubleshooting steps for the following types of problems:Ī failure to connect to the device from a host machine can occur for many reasons and may trigger any of several error messages, depending on which tools or applications encounter it. ![]()
Trained designers arriving from Vienna, Berlin, and Eastern Europe brought to the United States new cultural influences and aesthetics, especially an interest in industrial design and the American skyscraper. It was at this fair that the founder of Cleveland’s Rose Iron Works discovered the Hungarian-born metalwork designer Paul Fehér, who would later come to work for Rose and eventually design the magnificent screen that is a hallmark of their work and this exhibition. American artists, designers, and the fashionable elite were eager to travel to Paris after the war, especially to attend the 1925 International Exposition of Modern Decorative and Industrial Art ( Exposition internationale des Arts décoratifs et industriels modernes) where various countries-though not the United States-exhibited significant new designs. Next is a promenade of galleries exploring transatlantic connections that helped blend influences and cultures to create a seemingly smaller world. Photo: Erik Gould, Courtesy of the Museum of Art, Rhode Island School of Design, Providenceīrooch (Right) c. Museum of Art, Rhode Island School of Design, The Gorham Collection, Gift of Textron Inc., 1991.126.488. Silver with gilding, ivory 24.1 x 54.6 x 34 cm. Gorham Manufacturing Company (American, Providence, RI, 1865–1967). Erik Magnussen (Danish, 1884–1961), designer. Photo: © 2017 Museum of Fine Arts, BostonĬubic Coffee Service (Bottom Left) 1927. Museum of Fine Arts, Boston, Anonymous Gift, 1986.778–782. Silver, ebonized wood tea kettle on stand: 14.5 x 24.5 x 15.6 cm coffee pot: 25.2 x 25.2 cm covered sugar bowl: h. Gebelein Silversmiths (American, Boston, 1908–c. This trend influenced American manufacturers, especially in furniture, while silver and jewelry design forged an important connection between traditional techniques and new influences.įive-Piece Coffee and Tea Service (Top Left) 1929. Émile-Jacques Ruhlmann, Edgar Brandt, Armand-Albert Rateau, Jean Dunand, and Raoul Dufy were among those who produced extraordinary objects using lavish craftsmanship, exotic materials, and high technical skill, often invoking earlier French styles but with pared-down form. Fashionable consumers were eased into modernity through an admiration for sophisticated French elegance, itself infused with Austro-German sensibilities from before the First World War. The exhibition opens with works that feature new looks on familiar forms, providing updated, modern interpretations of older styles of decoration. Rather, this quest for change had been evolving steadily since the latter part of the 19th century when progressive efforts such as the Arts and Crafts, Art Nouveau, and Secessionist movements signaled a desire for a new vocabulary of design-one that responded to parallel efforts in social, political, and economic reform. New ideas began to challenge the supremacy of traditional revival styles, but dissatisfaction with the status quo did not occur overnight. ![]() Exploring the impact of European influences, American lifestyle, artistic movements, and the role of technology, Jazz Age reveals a decade marked by sharp contrasts. The Jazz Age: American Style in the 1920s is the first major museum exhibition to focus on American taste in design during the exhilarating years of the 1920s and early 1930s. Photo: Les Arts décoratifs, Paris / Jean Tholance, All Rights Reserved Musée des Arts décoratifs, Paris, 39952 A. Gilt and lacquered wood, patinated bronze 330 x 50 cm. ![]() In order to ease you, Rockstar Games have provided players with a large arsenal of vehicles which can either be purchased or high-jacked at any given time. The map is so vast that it is almost impossible to walk from one location to another without spending hours and hours in real time. Grand Theft Auto Online is available now for Xbox Live and PlayStation Network as a supplementary download to Grand Theft Auto 5.Cars and other vehicles play a significant role in Grand Theft Auto V. Otherwise, you can run with the basics and do just fine. If you're looking to chill and be social, the higher-end apartments are for you. Really, it all comes down to what kind of living space you desire. Shop around, and you'll find that perfect spot that suits you. A couple in Tinsel Tower in Little Seoul might be worth a look as well if the downtown life is more your speed. Rockford Hills is a great place to look for a top-tier apartment, though there are also a few in the downtown Los Santos area that will catch your eye. The TV is second to none, with a huge screen to watch all the action, and your garage will hold up to 10 cars – it doesn't get much better than that unless you own a parking garage. As you might expect, these places are the most expensive, ranging from $200,000 to $400,000 and possibly higher, but you get your money's worth with wonderful panoramic views of the city and plenty of space to put your dream furniture. It's not quite the dream space for car nuts, but it certainly beats trying to work your way around a two-car garage.įinally, if you really want to live the dream of Los Santos, or just want the best space possible for you and your friends to hang out, then the top-tier apartments are waiting for you. The mid-tier apartments also come with a six-car garage, with more space to run around and take a look at your offerings. There are some high-end apartments as well, but if you prefer comfortable living without bleeding your resources dry, this is the way to go. There are a lot of good apartments here, particularly in the West Vinewood area, though someone near the sign might be preferred. These apartments are a bit higher in price, ranging from $115,000 to $150,000 and higher, but you'll get a much bigger area for you and your friends, not to mention a higher-quality flat-screen television and a much better view than you'd get from a cheaper apartment.įor these, sticking around the Vinewood area is probably your best bet. If you're the kind of person who could use some good rest and relaxation, and you're not content with a small living space, the mid-tier should suit you just fine. If that's what you prefer, you'll need to spend a little more. One word of warning, though – most of these apartments don't come with an ideal view. It's the best way to go if you prefer to spend your money on the run, rather than trying to relax in a room. These apartments usually come with a moderately sized TV – not something of the 4K variety, but acceptable – and a two-car garage where you can stow a pair of your favorite vehicles. You'll find apartments ranging from $80,000 to $110,000 and up, and while that sounds like a lot of cash, you do get a manageable living space. Looking around the Little Seoul or Rockford Hills area for these apartments is a good place to start. It may not be as comfy as some of the bigger apartments available, but if you're looking to save cash in favor of using it for weapons and clothes, it's the best way to go. You have room to move around, clean up and make a serviceable living in these places. Unlike some real places in the Los Angeles area, the low tier apartments are not of the tin can variety. ![]() Let's look at the three levels of apartments available in the game. ![]() It just depends on what you're looking for, what kind of view you want, and really, how long you're going to spend at your place, making the most use of it. With your recent windfall of cash awarded by Rockstar Games (the $500,000 bonus for online troubles), it shouldn't be a problem getting a place. 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![]() And suddenly you find yourself suckin’ down Darjeeling with. “One minute you’re defending the whole galaxy. “I’ve set my laser from stun to kill.”Ģ4. Here are some of the best Buzz Lightyear sayings present on TV as well as in movies.Ģ2. The toy Buzz of Star Command emerged as an instant favorite character with the viewers as he would go to infinity and beyond, or even more, for a friend. Produced by Disney, the 'Toy Story' has been a successful franchise with 'Toy Story', 'Toy Story 2', 'Toy Story 3', and 'Toy Story 4', all being blockbusters. “The important thing is that we stick together.” My ship has crash-landed here by mistake.”Ģ1. I’m Buzz Lightyear, Space Ranger, Universe Protection Unit. “Local law enforcement! It’s about time you got here. “I just want you to know that even though you tried to terminate me, revenge is not an idea we promote on my planet.”Ģ0. “Don’t talk to me about importance! Because of you, the future of this entire universe is in jeopardy!”ġ9. “I am Buzz Lightyear I come in peace.”ġ8. “How dare you open a spaceman’s helmet on an uncharted planet! My eyeballs could’ve been sucked from their sockets!”ġ7. Here are some of the most interesting Buzz Lightyear movie quotes that will certainly entertain you more.ġ6. His friendship with other characters was greatly loved by all. 'Toy Story' Buzz Lightyear QuotesĪdorning his spacesuit with a helmet and the laser gun, Buzz Lightyear of Star Command has been an inseparable part of the 'Toy Story' series. “This isn’t flying, this is falling with style!” “I don’t believe that man has ever been to medical school.”ġ4. “Don’t you get it? You see the hat! I am Mrs. “And there seems to be no sign of intelligent life anywhere.”ġ0. Make sure you also check out our articles on 'Toy Story' quotes] and Woody quotes as you finish with this one. Read along to find the best Buzz Lightyear Quotes from the 'Toy Story' movies. Buzz and Andy become friends after their rivalry to get the affection of their owner, Andy Davis, and they work together to get united with him after being separated. Nesbitt when he attended a teat party in the first 'Toy Story' movie. 'Toy Story 3' is the best, as it is the most emotional and mature movie, a wholesome entertainer. He is not Buzz Lightyear’s father, but he is the father of Utility Belt Buzz (the new Buzz). Zurg is the evil emperor and the antagonist in the 'Toy Story' films, and he is Buzz Lightyear’s arch enemy. Tim Allen is the voice of Buzz Lightyear in the 'Toy Story' films. It is a story where toys come to life when humans are not present, and the plot is about the relationship between an old-fashioned pull-string cowboy doll named Woody and an astronaut action figure Buzz Lightyear and their owner. ![]() ![]() ![]() HitFilm did crash a couple times when we tried to export the completed 6-minute video, a strange error which corrected itself once we restarted the computer. Rendering is also a pleasantly smooth process, and while editing a simple family project we found few hiccups. You can add a text box, cross-fade between clips or a plethora of effects included in the program’s database. All the tools you would expect are here slicing, ripple edits, transitions and overlays. There are also several handy workspace options which rearrange your windows based on whether you want to focus on editing, compositing, or for a more “classic” look.Īnyone who has spent time with a major editing program will find this setup familiar. HitFilm boasts an impressive array of video effects - though not as many in the audio department - and an unlimited number of video and audio tracks to work with. Opening the editor, we felt right at home with a familiar timeline and media bar arranged at the bottom of the screen and a project and preview window up above. When opening a new project, you are presented with the option to dive into the editor, or go right into compositing if your main focus is visual effects. HitFilm 3 Pro is a slick all-in-one platform that brings together video editing, 3D compositing and visual effects tools. For anyone who is feeling trepidation going in, this wide selection of tutorials is sure to be appreciated. Upon startup, users will be greeted with the home screen, which presents a range of different tutorials and help options, including links to videos, a user guide and the HitFilm forums. Installation is smooth and we had the program up and running in no time. HitFilm 3 Pro comes as an easy download through the HitFilm website. HitFilm 3 Pro is a slick all-in-one platform that brings together video editing, 3D compositing and visual effects tools and provides beginning-to-intermediate filmmakers all they need to produce a well-polished video. Final Cut Pro, Premier Pro, Avid Media Composer and Sony Vegas are among the editing giants, with programs such as Maya and After Effects filling the visual effects space. For the majority of filmmakers, a select few programs come to mind when thinking about video post-production. |
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